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Tragedy
First published in 1969, this work examines the genre of Tragedy from its origins in ancient Greece, to the modern day.Beginning with an overview of the meaning of tragedy in Europe through the ages, it goes on to explore common aspects of tragedies such as the tragic hero, the chorus and unities, catharsis, peripeteia, anagnorisis and suffering.This book will be of interest to anyone studying European drama and literature.
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Tragedy
An exploration of tragedy and its fundamental position in Western culture In this compelling account, eminent literary critic Terry Eagleton explores the nuances of tragedy in Western culture—from literature and politics to philosophy and theater.Eagleton covers a vast array of thinkers and practitioners, including Nietzsche, Walter Benjamin, and Slavoj Žižek, as well as key figures in theater, from Sophocles and Aeschylus to Shakespeare and Ibsen. Eagleton examines the political nature of tragedy, looking closely at its connection with periods of historical transition.The dramatic form originated not as a meditation on the human condition, but at moments of political engagement, when civilizations struggled with the conflicts that beset them.Tragedy, Eagleton demonstrates, is fundamental to human experience and culture.
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Tragedy
Tragedy is one of the oldest and most resilient forms of narrative.Considering texts from ancient Greece to the present day, this comprehensive introduction shows how tragedy has been re-imagined and redefined throughout Western cultural history. Tragedy offers a concise history of tragedy tracing its evolution through key plays, prose, poetry and philosophical dimensions.John Drakakis examines a wealth of popular plays, including works from the ancient Greeks, Shakespeare, Bertolt Brecht, Sarah Kane and Tom Stoppard.He also considers the rewriting and appropriating of ancient drama though a wide range of authors, such as Chaucer, George Eliot, Ted Hughes and Colm Tóibín.Drakakis also demystifies complex philosophical interpretations of tragedy, including those of Hegel, Kierkegaard, Nietzsche and Benjamin. This accessible resource is an invaluable guide for anyone studying tragedy in literature or theatre studies.
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Tragedy & Geometry
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American Tragedy
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Shakespearean Tragedy
A.C. Bradley put Shakespeare on the map for generations of readers and students for whom the plays might not otherwise have become "real" at all' writes John Bayley in his foreword to this edition of Shakespearean Tragedy: Lectures on Hamlet, Othello, King Lear and Macbeth. Approaching the tragedies as drama, wondering about their characters as he might have wondered about people in novels or in life, Bradley is one of the most liberating in the line of distinguished Shakespeare critics.His acute yet undogmatic and almost conversational critical method has—despite fluctuations in fashion—remained enduringly popular and influential.For, as John Bayley observes, these lectures give us a true and exhilarating sense of 'the tragedies joining up with life, with all our lives; leading us into a perspective of possibilities that stretch forward and back in time, and in our total awareness of things.
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Greek Tragedy
Why did Aeschylus characterize differently from Sophocles?Why did Sophocles introduce the third actor? Why did Euripides not make better plots? So asks H.D.F Kitto in his acclaimed study of Greek tragedy, available for the first time in Routledge Classics. Kitto argues that in spite of dealing with big moral and intellectual questions, the Greek dramatist is above all an artist and the key to understanding classical Greek drama is to try and understand the tragic conception of each play.In Kitto’s words ‘We shall ask what the dramatist is striving to say, not what in fact he does say about this or that.’ Through a brilliant analysis of Aeschylus’s ‘Oresteia’, the plays of Sophocles including ‘Antigone’ and ‘Oedipus Tyrannus’; and Euripides’s ‘Medea’ and ‘Hecuba’, Kitto skilfully conveys the enduring artistic and literary brilliance of the Greek dramatists.
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Greek Tragedy
Agememnon is the first part of the Aeschylus's Orestian trilogy in which the leader of the Greek army returns from the Trojan war to be murdered by his treacherous wife Clytemnestra. In Sophocles' Oedipus Rex the king sets out to uncover the cause of the plague that has struck his city, only to disover the devastating truth about his relationship with his mother and his father. Medea is the terrible story of a woman's bloody revenge on her adulterous husband through the murder of her own children.
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What are French tragedy and bourgeois tragedy?
French tragedy refers to a style of tragic drama that emerged in 17th century France, often associated with playwrights like Pierre Corneille and Jean Racine. These tragedies typically revolve around themes of love, honor, and fate, and are characterized by their strict adherence to the classical unities of time, place, and action. On the other hand, bourgeois tragedy is a genre that emerged in the 18th century, focusing on the lives and struggles of the middle class. Playwrights like Denis Diderot and Gotthold Ephraim Lessing are known for their contributions to this genre, which often explores the moral and social dilemmas faced by ordinary people. Unlike French tragedy, bourgeois tragedy often incorporates elements of realism and domestic settings, reflecting the concerns and experiences of the rising middle class.
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Is the Gretchen tragedy a bourgeois tragedy for literati?
The Gretchen tragedy, also known as Faust, is often considered a bourgeois tragedy because it focuses on the struggles and downfall of a common person, Gretchen, rather than a noble or royal figure. The story resonates with the literati, or educated middle class, as it explores themes of love, morality, and the human condition. The character of Gretchen represents the struggles and conflicts faced by ordinary people, making her story relatable to the literati. Additionally, the play critiques the societal norms and values of the bourgeois class, making it a relevant and thought-provoking tragedy for the literati.
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Is the GDR a tragedy?
The German Democratic Republic (GDR) can be seen as a tragedy in some aspects. The oppressive regime, lack of political freedom, and widespread surveillance under the rule of the Socialist Unity Party of Germany led to the suffering of many citizens. Additionally, the division of Germany and the lasting impact of the GDR's policies on its citizens and economy can be viewed as tragic. However, some may argue that the GDR also had positive aspects, such as its focus on social welfare and gender equality. Ultimately, whether the GDR is considered a tragedy depends on one's perspective and interpretation of its history.
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Why is Macbeth a tragedy?
Macbeth is considered a tragedy because it follows the downfall of the main character, Macbeth, as he is consumed by his ambition and desire for power. The play explores themes of betrayal, guilt, and the consequences of unchecked ambition, leading to the tragic demise of Macbeth and those around him. The play also highlights the destructive nature of unchecked power and the moral decay that can result from it. Ultimately, Macbeth's tragic flaw and the choices he makes lead to his own downfall, making it a classic example of a Shakespearean tragedy.
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Is Corpus Delicti a tragedy?
Corpus Delicti is a novel by German author Juli Zeh that can be considered a tragedy in some ways. The story revolves around a dystopian society where individual freedoms are restricted in the name of public health. The protagonist's struggle against the oppressive system and the tragic consequences that unfold can be seen as elements of a tragedy. The novel also explores themes of loss, betrayal, and the struggle for justice, which are common in tragic literature. However, the novel also incorporates elements of mystery and legal thriller, making it a complex and multi-faceted work.
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What is Faust? A tragedy?
Faust is a tragic play written by Johann Wolfgang von Goethe. It tells the story of a scholar named Faust who makes a pact with the devil, Mephistopheles, in exchange for unlimited knowledge and worldly pleasures. The play explores themes of ambition, temptation, and the consequences of one's actions. It is considered a tragedy because it follows the downfall of Faust as he becomes increasingly dissatisfied with his life despite his newfound powers, ultimately leading to his tragic demise.
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What is a children's tragedy?
A children's tragedy is a literary work or dramatic performance that focuses on the suffering and misfortune of young characters. These tragedies often explore themes of loss, betrayal, and injustice, and may involve the death or suffering of children. The genre aims to evoke empathy and emotional response from the audience, while also addressing important social and moral issues related to the experiences of young people. Children's tragedies can be found in various forms of literature, including novels, plays, and films.
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What is the Gretchen tragedy about?
The Gretchen tragedy, also known as the "Faust tragedy," is a story from Johann Wolfgang von Goethe's play "Faust." It revolves around the character of Gretchen, a young and innocent girl who becomes involved with the protagonist, Faust. As the story progresses, Gretchen's life takes a tragic turn as she becomes entangled in Faust's pursuit of power and knowledge. The tragedy explores themes of love, innocence, and the consequences of making deals with the devil. Ultimately, Gretchen's story serves as a cautionary tale about the destructive nature of unchecked ambition and the pursuit of forbidden desires.
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